05-30-2013
Back to Basics with Louis Kahn
Aerial view of Four Freedoms Park
In this age of computers generating complex forms and mesmerizing graphics, it is refreshing to visit a space that relies on bold simplicity of form and precise material treatment.
Of course, I'm talking about Kahn!
Proceeding up the center of the monumental stair (the horizon line experienced from the top of the stairs aligns with FDR's eyes)
Two weeks ago, members of the Design Core group set out on a pilgrimage to Roosevelt Island to see, firsthand, the much acclaimed Franklin Delano Roosevelt Four Freedoms Park, designed by Louis Kahn nearly four decades ago.
Allee of Linden trees converging on FDR
Looking south on the symmetrical center axis
On site, some were captivated by the massive scale and texture of the white granite blocks, while others were fascinated with Kahn's poetic treatment of the paths capturing the vibrant grass in the center of the project. At first glance, the pathways appear to be paved with traditional crushed stone, however they provide an ephemeral pause when one's foot does not "cccrrunnnch" upon contact. In fact, Kahn specified that the stones should be fixed, providing a cathartic and unanticipated silence to the walk leading both toward and away from FDR's bust.
Bust of FDR, modeled in 1933 by artist Jo Davidson
As is the case with most of Kahn's work, the park comprises textbook-worthy examples of age-old architectural tricks – perspective, symmetry, frame, scale, and prospect – traits, that, like any great work of art, are best experienced in person.
Southern tip of Roosevelt Island and Four Freedoms Park
New York is fortunate to have this new public place – which is both of the city and removed from its pace and noise – wherein we can step back and think about our collective foundation, freedom.
View of the Manhattan skyline from Four Freedoms Park
Of course, I'm talking about Kahn!
Proceeding up the center of the monumental stair (the horizon line experienced from the top of the stairs aligns with FDR's eyes)Two weeks ago, members of the Design Core group set out on a pilgrimage to Roosevelt Island to see, firsthand, the much acclaimed Franklin Delano Roosevelt Four Freedoms Park, designed by Louis Kahn nearly four decades ago.
Allee of Linden trees converging on FDRLooking south on the symmetrical center axisOn site, some were captivated by the massive scale and texture of the white granite blocks, while others were fascinated with Kahn's poetic treatment of the paths capturing the vibrant grass in the center of the project. At first glance, the pathways appear to be paved with traditional crushed stone, however they provide an ephemeral pause when one's foot does not "cccrrunnnch" upon contact. In fact, Kahn specified that the stones should be fixed, providing a cathartic and unanticipated silence to the walk leading both toward and away from FDR's bust.
Bust of FDR, modeled in 1933 by artist Jo DavidsonAs is the case with most of Kahn's work, the park comprises textbook-worthy examples of age-old architectural tricks – perspective, symmetry, frame, scale, and prospect – traits, that, like any great work of art, are best experienced in person.
Southern tip of Roosevelt Island and Four Freedoms ParkNew York is fortunate to have this new public place – which is both of the city and removed from its pace and noise – wherein we can step back and think about our collective foundation, freedom.
View of the Manhattan skyline from Four Freedoms Park